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Offerings
SEEING IS BELIEVING: DRAFTING THE LASTING IMAGE – LIVE Nicole Sealey
Poetry
August 2-6, 2021
Open to All
Tiered Tuition
Reserve My Spot This offering is not currently available for registration. Please check back or email Jennifer Jean at jjean@fawc.org for any questions.

About the Offering

In The Poet’s Companion, Kim Addonizio and Dorianne Laux argue that images should “produce a bit of magic, a reality so real it is ‘like being alive twice.’” As we know, images are closely linked to memory. As poets, after mining our respective memories, how do we deepen a reader’s experience with the poem via the image? How does one draft a lasting image? This workshop seeks to focus the image at the poem’s center. This workshop will explore the image and its implications. To this end, participants will review poems with images that reverberate and re-imagine their own poems with images that idle.

Please bring poems that you would like to re-imagine.

LIVE TIME: 2pm-4pm EST.

Materials Needed

No specific materials needed for this offering.

About the Instructor/Moderator

Nicole Sealey is the author of The Ferguson Report: An Erasure, winner of the 2024 OCM Bocas Prize for Caribbean Poetry and a finalist for the NAACP Image Award in Poetry, and an excerpt from which was awarded the Forward Prize for Best Single Poem. She is also the author of Ordinary Beast, finalist for the Hurston/Wright Legacy Award, and The Animal After Whom Other Animals Are Named, winner of the Drinking Gourd Chapbook Poetry Prize. With poet John Murillo, she edited the anthology Dear Yusef: Essays, Letters and Poems, for and about One Mr. Komunyakaa. Her honors include the Princeton Arts and Hodder Fellowships from Princeton University, a Cullman Center Fellowship from the New York Public Library, a Rome Prize in Literature from the American Academy in Rome, the Stanley Kunitz Memorial Prize from The American Poetry Review, the Poetry International Prize, and fellowships from CantoMundo, Cave Canem, the National Endowment for the Arts, and the New York Foundation for the Arts.

Accessibility Information

Their work is regularly exhibited internationally and is in the permanent collections of over 60 museums. Over the past fifteen years, they have built a sustainable career as a visual artist and have extensive experience working with museums, galleries, universities and nonprofit organizations, publishers, and press outlets. In addition to their own creative work, they are passionate about sharing the professional knowledge they’ve acquired throughout their career with other artists.

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