Annie Dillard once said You have to take pains not to hang on the reader’s arms, like a drunk, and say ‘And then I did this and it was so interesting.’ What is it, exactly, that makes personal narrative truly engaging? How do we navigate the mine-field of story ownership and permission-to-write when crafting a narrative that involves others? What makes great memoir what it is versus simply a recollection of experience or an information dump? In this generative memoir workshop, I will explore the concept of motivation and curation in the writing of memoir; together, we will focus on the separation of wheat from chaff within the narrative, and learn how to find the kernel — the heart of the story — that teems with life, even at its most deceptively subdued. Through readings, exercises, and the sharing of work, you will practice writing with intimacy and clarity, and learn to hone — and trust — your own distinct voices, and to find the extraordinary in the mundane. Readings will include Melissa Febos, Pam Houston, Paul Lisicky, Marie Howe, Vivian Gornick, and others.