Nonfiction
January 23 to February 17, 2017
Open to All
Tiered Tuition
Reserve My Spot This offering is not currently available for registration. Please check back or email Jennifer Jean at jjean@fawc.org for any questions.
About the Offering
How do memoirists re-enter the mysteries of past experience?
The answer, for many of us, resides in our ability to ‘play’ with the past and find enjoyment in exciting literary techniques memoirists and fiction writers have passed down to us. To that end, our writing exercises will focus primarily on imagery and perspective: imagery, because a few carefully curated sensory details can often illuminate the past in extraordinary and surprising ways; perspective, because speaking about the past with authority always involves looking at it from a unique angle. The combined force of these two tools can offer up a fresh take on the past that gives us the distance and freedom to play with our stories and shape them into what they need to become.
We will be considering excerpts from memoirs and other nonfiction pieces (and occasionally excellent autofiction) as a way of solving any problems we have encountered thus far in our memoir writing. Though writers are not required to have completed a draft of a memoir, they should come to the class with fully formed ideas for projects.
Materials Needed
No specific materials needed for this offering.
About the Instructor/Moderator
Garrard Conley
is the New York Times bestselling author of the memoir Boy Erased (Riverhead/Penguin 2016) and the novel All the World Beside (Riverhead/Penguin 2024), as well as the creator and co-producer of the podcast UnErased: The History of Conversion Therapy in America (Limina/Stitcher 2018). His work has been published by The New York Times, Oxford American, Time, and Virginia Quarterly Review, among others. Conley is a graduate of Brooklyn College’s MFA program, where he was a Truman Capote Fellow in fiction. He currently serves as Associate Professor of Creative Writing at Kennesaw State University and on the nonfiction faculty of the Bennington Writing Seminars.
Accessibility Information
Their work is regularly exhibited internationally and is in the permanent collections of over 60 museums. Over the past fifteen years, they have built a sustainable career as a visual artist and have extensive experience working with museums, galleries, universities and nonprofit organizations, publishers, and press outlets. In addition to their own creative work, they are passionate about sharing the professional knowledge they’ve acquired throughout their career with other artists.
View all offerings
