Nonfiction
October 21 to November 15, 2019
Open to All
Tiered Tuition
Reserve My Spot This offering is not currently available for registration. Please check back or email Jennifer Jean at jjean@fawc.org for any questions.
About the Offering
Do you have a story to tell, but struggle in knowing where to begin? Are there gaps in memory, or lulls in action, that make a traditional narrative arc unwieldy? Are you ready to try something new in your nonfiction writing?
This class is about setting aside the demands of chronology by embracing lyric structures. We’ll explore four different shapes, one each week—segmented essays, braided essays, hermit crabs (essays using found forms), and flash nonfiction / micro-memoir—by distilling basic craft principles, reading compelling examples from contemporary writers, and using prompts to get you started. Participants submit work for three out of the four weeks, taking a “pass” one week (a week of your choice) to focus instead on dialogue over assigned readings and classmates’ drafts.
Materials Needed
No specific materials needed for this offering.
About the Instructor/Moderator
Sandra Beasley is the author of Don’t Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir. Her nonfiction has appeared in The New York Times, Washington Post, Virginia Quarterly Review, Creative Nonfiction, LitHub, and A Harp in the Stars: An Anthology of Lyric Essays. She is the author of four poetry collections, most recently Made to Explode, which won the Housatonic Book Award, and she edited Vinegar and Char: Verse from the Southern Foodways Alliance. Honors include the Munster Literature Centre’s John Montague Fellowship, an NEA fellowship, and six DC Commission on the Arts and Humanities fellowships.
Accessibility Information
Their work is regularly exhibited internationally and is in the permanent collections of over 60 museums. Over the past fifteen years, they have built a sustainable career as a visual artist and have extensive experience working with museums, galleries, universities and nonprofit organizations, publishers, and press outlets. In addition to their own creative work, they are passionate about sharing the professional knowledge they’ve acquired throughout their career with other artists.
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