Poetry
February 22-26, 2016
Open to All
Tiered Tuition
Reserve My Spot This offering is not currently available for registration. Please check back or email Jennifer Jean at jjean@fawc.org for any questions.
About the Offering
Many of us are moved by our time outside, by the non-humans we encounter. But how do we write about those experiences in ways that are full, accurate, and surprising? In this week-long course we’ll study how others have written animals and use those models as templates for our own work. We’ll skirt the treacherous terrain of personification and nudge up to sentimentality (but not enter it); we’ll make facts sing without bending them and we’ll rage, rage as necessary.
Materials Needed
No specific materials needed for this offering.
About the Instructor/Moderator
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship. Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.
Accessibility Information
Their work is regularly exhibited internationally and is in the permanent collections of over 60 museums. Over the past fifteen years, they have built a sustainable career as a visual artist and have extensive experience working with museums, galleries, universities and nonprofit organizations, publishers, and press outlets. In addition to their own creative work, they are passionate about sharing the professional knowledge they’ve acquired throughout their career with other artists.
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