ASYNCRONOUS with LIVE ELEMENTS

Santayana proposes “the great function of poetry is to repair to the material of experience, seizing hold of the reality of sensation and fancy beneath the surface of conventional ideas, and then out of that living but indefinite material to build new structures, richer, finer, fitter, to the primary tendencies of our nature, truer to the ultimate possibilities of the soul.” This suggests the poet arrives at the page with a plan, an idea of where they’re going. Whether one begins with an image or language, how does one allow themselves to extend into the unknown, to write toward discovery and possibility? How does one extend beyond the self? Where—when—does the poetic act begin? What if one were to approach the space of the poem as a space for assembly, a weir of voices, languages, encounters, knowledge, logics, narrative? How might the poem—and its ultimate and necessary structure—evolve through accretion and erosion? How do we tease out the line? Call it fractal, polyvocal, or as Joyelle McSweeney proposes, hyperdiction poetics.

In this workshop we’ll cultivate practices of poetic engagement with various encounters. The poems we read will serve as models for new poems we will generate together through a series of free and directed-writing exercises. This workshop will be relaxed and supportive and ideal for beginning poets as well as more advanced writers who are interested in experimenting with language, image, and composition.

Optional Live Elements: two optional, one-hour synchronous group discussions; 1-on-1 zoom conferences for all participants.