

Alysia Abbott's memoir, Fairyland, was a New York Times Book Review Editor’s Choice, and was named Best Book of the Year by the San Francisco Chronicle and Shelf Awareness. Fairyland has been translated into Polish, Spanish, Italian, and French and has been awarded the ALA Stonewall Award and the Madame Figaro “Prix de l'Héroïne” Literary Prize. Her work has appeared in The New York Times, The Boston Globe, TriQuarterly, Lit Hub, Vogue, and elsewhere. Formerly the Director of the Boston Literary District, she now leads the Memoir Incubator Program at GrubStreet in Boston.
WRITING THE FAMILY: A MEMOIR WORKSHOP - LIVE



































Aamina Ahmad grew up in London. After completing an MA in Television Drama she worked as a script editor for the BBC, ITV and independent production companies on a number of prime time network shows. She has been selected for various script development schemes including Arista's Scribes program, the UK Film Council's Blank Slate scheme and The Royal Court Theatre's Critical Mass program. Her full length play, The Dishonored, toured the UK in 2016 and was nominated for an Off West End Award. She also holds an MFA in fiction from the Iowa Writers' Workshop where she was Teaching-Writing Fellow. Her short fiction has appeared in The Normal School, The Missouri Review, Ecotone and the anthology, And the World Changed. She was the 2015 winner of The Missouri Review's Peden Prize and is a current Stegner Fellow at Stanford.
Long form screenwriting; stories that move us. TV Pilot Boot Camp!

Aamina Ahmad grew up in London. After completing an MA in Television Drama she worked as a script editor for the BBC, ITV and independent production companies on a number of prime time network shows. She has been selected for various script development schemes including Arista's Scribes program, the UK Film Council's Blank Slate scheme and The Royal Court Theatre's Critical Mass program. Her full length play, The Dishonored, toured the UK in 2016 and was nominated for an Off West End Award. She also holds an MFA in fiction from the Iowa Writers' Workshop where she was Teaching-Writing Fellow. Her short fiction has appeared in The Normal School, The Missouri Review, Ecotone and the anthology, And the World Changed. She was the 2015 winner of The Missouri Review's Peden Prize and is a current Stegner Fellow at Stanford.
Long form screenwriting; stories that move us. TV Pilot Boot Camp!

























Kirsten Andersen is the author of Family Court, a chapbook collection of poems forthcoming from Q. Ave. Press. Named the 2014 Anthony Hecht Scholar at the Sewanee Writer's Conference, Kirsten has received fellowships from Stanford University and The Fine Arts Work Center in Provincetown. She is a National Poetry Series finalist whose work appears most recently in Canteen Magazine, Alaska Quarterly Review, Tin House, and The Believer. She received her MFA from New York University.
Stealing Time: The Tricky Dance of Being a Writing Parent Stealing Time: The Tricky Dance of Being a Writing Parent

Kirsten Andersen is the author of Family Court, a chapbook collection of poems forthcoming from Q. Ave. Press. Named the 2014 Anthony Hecht Scholar at the Sewanee Writer's Conference, Kirsten has received fellowships from Stanford University and The Fine Arts Work Center in Provincetown. She is a National Poetry Series finalist whose work appears most recently in Canteen Magazine, Alaska Quarterly Review, Tin House, and The Believer. She received her MFA from New York University.
Stealing Time: The Tricky Dance of Being a Writing Parent Stealing Time: The Tricky Dance of Being a Writing Parent

































Lillian-Yvonne Bertram is a 2014 recipient of a National Endowment for the Arts Creative Writing Poetry Fellowship. Her first book, But a Storm is Blowing From Paradise, was selected by Claudia Rankine as the 2010 Benjamin Saltman Award winner and published by Red Hen Press in 2012 and was a 2013 poetry nominee for the Hurston/Wright Foundation Legacy Award for outstanding works of literature published by people of African descent. Her second book, a slice from the cake made of air (Red Hen Press 2016) is available from Red Hen Press and was recently named one of the best poetry books of 2016 by Entropy Magazine. Her third book, personal science, is available from Tupelo Press. Winner of the 2012 Phantom Limb Press chapbook contest, her chapbook cutthroat glamours was published in 2013. She is one-sixth of the poetry collective, Line Assembly. She has been in residence at the Vermont Studio Center, the Montana Artists’ Refuge, has received fellowships from Cave Canem and the Bread Loaf Writers’ and is the recipient of a United States Embassy grant for a writing residency at the Ventspils Writers’ & Translators House in Ventspils, Latvia, in 2014. The 2009-2011 Gaius Charles Bolin Fellow at Williams College, her poetry, prose, photography, and digital stories have received numerous awards and have appeared widely in journals such as Black Warrior Review, Callaloo, Cream City Review, Court Green, DIAGRAM, Gulf Coast, Harvard Review, Indiana Review, jubilat, Mid-American Review, Narrative Magazine, OH NO, Subtropics, Sou’wester, Tupelo Quarterly, Twelfth House, and more. She holds degrees in creative writing from the University of Utah, the University of Illinois at Urbana-Champaign, and Carnegie Mellon University. She was the Viebranz Visiting Professor of Creative Writing at St. Lawrence University for 2015-2016 and is currently an Assistant Professor of Creative Writing at UMASS Boston.


Reginald Dwayne Betts is the author of a memoir and two books of poetry. His memior, A Question of Freedom: A Memoir of Learning, Survival, and Coming of Age in Prison (Avery/Penguin, 2009), was awarded the 2010 NAACP Image Award for non-fiction. His books of poetry are Shahid Reads His Own Palm (Alice James, 2010) and Bastards of the Reagan Era (Four Way Books, 2015). Betts is a 2010 Soros Justice Fellow, 2011 Radcliffe Fellow, and 2012 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellow. In 2012, Betts was appointed to the Coordinating Council of the Office of Juvenile Justice and Delinquency Prevention by President Obama. He is a graduate of Prince George’s Community College, the University of Maryland, the MFA Program at Warren Wilson College, and is currently a student at Yale Law School.
Juxtaposing the Public & Private to Add Depth to Poetry Juxtaposing the Public & Private to Add Depth to Poetry Juxtaposing the Public & Private to Add Depth to Poetry

Reginald Dwayne Betts is the author of a memoir and two books of poetry. His memior, A Question of Freedom: A Memoir of Learning, Survival, and Coming of Age in Prison (Avery/Penguin, 2009), was awarded the 2010 NAACP Image Award for non-fiction. His books of poetry are Shahid Reads His Own Palm (Alice James, 2010) and Bastards of the Reagan Era (Four Way Books, 2015). Betts is a 2010 Soros Justice Fellow, 2011 Radcliffe Fellow, and 2012 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellow. In 2012, Betts was appointed to the Coordinating Council of the Office of Juvenile Justice and Delinquency Prevention by President Obama. He is a graduate of Prince George’s Community College, the University of Maryland, the MFA Program at Warren Wilson College, and is currently a student at Yale Law School.
Juxtaposing the Public & Private to Add Depth to Poetry Juxtaposing the Public & Private to Add Depth to Poetry Juxtaposing the Public & Private to Add Depth to Poetry

Reginald Dwayne Betts is the author of a memoir and two books of poetry. His memior, A Question of Freedom: A Memoir of Learning, Survival, and Coming of Age in Prison (Avery/Penguin, 2009), was awarded the 2010 NAACP Image Award for non-fiction. His books of poetry are Shahid Reads His Own Palm (Alice James, 2010) and Bastards of the Reagan Era (Four Way Books, 2015). Betts is a 2010 Soros Justice Fellow, 2011 Radcliffe Fellow, and 2012 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellow. In 2012, Betts was appointed to the Coordinating Council of the Office of Juvenile Justice and Delinquency Prevention by President Obama. He is a graduate of Prince George’s Community College, the University of Maryland, the MFA Program at Warren Wilson College, and is currently a student at Yale Law School.
Juxtaposing the Public & Private to Add Depth to Poetry Juxtaposing the Public & Private to Add Depth to Poetry Juxtaposing the Public & Private to Add Depth to Poetry



Sophie Cabot Black has three poetry collections from Graywolf Press which include The Misunderstanding of Nature, (Norma Farber First Book Award), and The Descent, (2005 Connecticut Book Award). Her third, The Exchange, received critical acclaim including a starred Publisher’s Weekly, and which All Things Considered reviewed as “the book for you”, and of which Billy Collins in the New York Times has said: ...she's concocted a way of speaking in poetry that's very fresh and daring."
PAYING ATTENTION & REMEMBERING TO OPEN THE TOOLBOX: A POETRY WORKSHOP - LIVE

Francesca Lia Block, winner of the prestigious Margaret A. Edwards Lifetime Achievement Award, is the author of many acclaimed and best selling books, including Dangerous Angels: The Weetzie Bat Books, Roses and Bones: Myths, Tales and Secrets, and the adult novels The Elementals and Beyond the Pale Motel. Her work is published around the world. Francesca loves teaching as much as writing and has been working with students for many years. You can visit her on the web at www.francescaliablock.com
12 Questions to Help Structure your Novel in Five Days 12 Questions to Help Structure your Novel in Five Days Not Always Happily : Writing the Contemporary Fairy Tale

Francesca Lia Block, winner of the prestigious Margaret A. Edwards Lifetime Achievement Award, is the author of many acclaimed and best selling books, including Dangerous Angels: The Weetzie Bat Books, Roses and Bones: Myths, Tales and Secrets, and the adult novels The Elementals and Beyond the Pale Motel. Her work is published around the world. Francesca loves teaching as much as writing and has been working with students for many years. You can visit her on the web at www.francescaliablock.com
12 Questions to Help Structure your Novel in Five Days 12 Questions to Help Structure your Novel in Five Days Not Always Happily : Writing the Contemporary Fairy Tale

Francesca Lia Block, winner of the prestigious Margaret A. Edwards Lifetime Achievement Award, is the author of many acclaimed and best selling books, including Dangerous Angels: The Weetzie Bat Books, Roses and Bones: Myths, Tales and Secrets, and the adult novels The Elementals and Beyond the Pale Motel. Her work is published around the world. Francesca loves teaching as much as writing and has been working with students for many years. You can visit her on the web at www.francescaliablock.com
12 Questions to Help Structure your Novel in Five Days 12 Questions to Help Structure your Novel in Five Days Not Always Happily : Writing the Contemporary Fairy Tale

Paula Bohince is the author of three poetry collections, all from Sarabande. Her poems have appeared in The New Yorker, The New York Review of Books, Poetry, Granta, The TLS, and Best American Poetry. She has been the Amy Lowell Poetry Travelling Scholar, the Dartmouth Poet in Residence at The Frost Place, a Fellow of the National Endowment for the Arts, the Amy Clampitt House Resident Fellow, a Hawthornden Fellow, and a “Discovery”/The Nation Award recipient. She has taught at New York University, the New School, and elsewhere.
Ekphrasis: Poems from Visual Art Small but Mighty From One, Many: Radical Revision

Paula Bohince is the author of three poetry collections, all from Sarabande. Her poems have appeared in The New Yorker, The New York Review of Books, Poetry, Granta, The TLS, and Best American Poetry. She has been the Amy Lowell Poetry Travelling Scholar, the Dartmouth Poet in Residence at The Frost Place, a Fellow of the National Endowment for the Arts, the Amy Clampitt House Resident Fellow, a Hawthornden Fellow, and a “Discovery”/The Nation Award recipient. She has taught at New York University, the New School, and elsewhere.
Ekphrasis: Poems from Visual Art Small but Mighty From One, Many: Radical Revision

Paula Bohince is the author of three poetry collections, all from Sarabande. Her poems have appeared in The New Yorker, The New York Review of Books, Poetry, Granta, The TLS, and Best American Poetry. She has been the Amy Lowell Poetry Travelling Scholar, the Dartmouth Poet in Residence at The Frost Place, a Fellow of the National Endowment for the Arts, the Amy Clampitt House Resident Fellow, a Hawthornden Fellow, and a “Discovery”/The Nation Award recipient. She has taught at New York University, the New School, and elsewhere.
Ekphrasis: Poems from Visual Art Small but Mighty From One, Many: Radical Revision







































Jonatha Brooke is a highly acclaimed singer, songwriter, recording artist, and playwright. In 2014, Ms. Brooke debuted her one-woman theater piece, My Mother Has Four Noses, at the Duke Theater in NYC, a critics’ pick in the NY Times and Time Out Magazine. She has written three other musicals: Hopper and Death and Venice with Anton Dudley; and Quadroon, with Joe Sample. She’s currently working on Switched with Geoffrey Nauffts. Honors include a 2018 McKnight Artist Grant and the 2019 International Acoustic Music Awards for best artist and best song for “Put the Gun Down.” For the past year, Brooke has been teaching on-line Songwriting Master Classes, and streaming weekly concerts from her home in Minneapolis as her creative antidote to the COVID lockdown.
SECRETS, LIES, AND THE ESSENTIAL TRUTHS: FINDING YOUR VOICE AS A PLAYWRIGHT - LIVE

Nickole Brown is the author of Sister, first published in 2007 with a new edition reissued by Sibling Rivalry Press in 2018. Her second book, Fanny Says, came out from BOA Editions and won the Weatherford Award for Appalachian Poetry in 2015. The audiobook of that collection became available in 2017. She was the Editor for the Marie Alexander Poetry Series and teaches at the Sewanee School of Letters MFA Program and the Great Smokies Writing Program at UNCA. She lives in Asheville, NC, where she periodically volunteers at several different animal sanctuaries. Currently, she’s at work on a bestiary of sorts about these animals, but it won’t consist of the kind of pastorals that always made her (and most of the working-class folks she knows) feel shut out of nature and the writing about it—these poems speak in a queer, Southern-trash-talking kind of way about nature beautiful, damaged, dangerous, and in desperate need of saving. A chapbook of these poems called To Those Who Were Our First Gods won the 2018 Rattle Chapbook Prize, and another sequence called The Donkey Elegies was published as a chapbook by Sibling Rivalry Press in early 2020. In 2021, Spruce Books of Penguin Random House published Write It! 100 Poetry Prompts to Inspire, a book she co-authored with her wife Jessica Jacobs, and they regularly teach generative writing sessions together as part of their SunJune Literary Collaborative.
Ostranenie: Poetry as a Practice of Awareness - LIVE Writing in the Age of Loneliness: Eco-Literature & The Writer's Task

Nickole Brown is the author of Sister, first published in 2007 with a new edition reissued by Sibling Rivalry Press in 2018. Her second book, Fanny Says, came out from BOA Editions and won the Weatherford Award for Appalachian Poetry in 2015. The audiobook of that collection became available in 2017. She was the Editor for the Marie Alexander Poetry Series and teaches at the Sewanee School of Letters MFA Program and the Great Smokies Writing Program at UNCA. She lives in Asheville, NC, where she periodically volunteers at several different animal sanctuaries. Currently, she’s at work on a bestiary of sorts about these animals, but it won’t consist of the kind of pastorals that always made her (and most of the working-class folks she knows) feel shut out of nature and the writing about it—these poems speak in a queer, Southern-trash-talking kind of way about nature beautiful, damaged, dangerous, and in desperate need of saving. A chapbook of these poems called To Those Who Were Our First Gods won the 2018 Rattle Chapbook Prize, and another sequence called The Donkey Elegies was published as a chapbook by Sibling Rivalry Press in early 2020. In 2021, Spruce Books of Penguin Random House published Write It! 100 Poetry Prompts to Inspire, a book she co-authored with her wife Jessica Jacobs, and they regularly teach generative writing sessions together as part of their SunJune Literary Collaborative.
Ostranenie: Poetry as a Practice of Awareness - LIVE Writing in the Age of Loneliness: Eco-Literature & The Writer's Task

Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017). She is currently Clinical Assistant Professor of Creative Writing at Washington State University.
MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry


Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017). She is currently Clinical Assistant Professor of Creative Writing at Washington State University.
MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry


Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017). She is currently Clinical Assistant Professor of Creative Writing at Washington State University.
MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry


Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017). She is currently Clinical Assistant Professor of Creative Writing at Washington State University.
MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry


Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017). She is currently Clinical Assistant Professor of Creative Writing at Washington State University.
MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry


Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017). She is currently Clinical Assistant Professor of Creative Writing at Washington State University.
MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry


Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017). She is currently Clinical Assistant Professor of Creative Writing at Washington State University.
MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry


Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017). She is currently Clinical Assistant Professor of Creative Writing at Washington State University.
MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry




















































































Julie Carr is the author of six books of poetry, most recently 100 Notes on Violence (Ahsahta, 2010), RAG (Omnidawn, 2014), and Think Tank (Solid Objects, 2015). She is also the author of Surface Tension: Ruptural Time and the Poetics of Desire in Late Victorian Poetry (Dalkey Archive, 2013), and the co-editor, with Jeffrey Robinson, of Active Romanticism (University of Alabama Press, 2015). A chapbook of prose, “The Silence that Fills the Future,” was recently released as a free pdf from Essay Press: http://www.essaypress.org/ep-19/
Objects from a Borrowed Confession (prose) will be out from Ahsahta press in 2016. Carr’s co-translation of Leslie Kaplan’s Excess-The Factory is due out from Commune Editions in 2018.
Carr was a 2011-12 NEA fellow and is an associate professor at the University of Colorado in Boulder in the English department and the Intermedia Arts Writing and Performance Ph.D. She regularly collaborates with dance artist K.J. Holmes and is the co-founder of Counterpath Press and Counterpath Gallery (www.counterpathpress.org).
The Epistolary Poem The Epistolary Poem

Julie Carr is the author of six books of poetry, most recently 100 Notes on Violence (Ahsahta, 2010), RAG (Omnidawn, 2014), and Think Tank (Solid Objects, 2015). She is also the author of Surface Tension: Ruptural Time and the Poetics of Desire in Late Victorian Poetry (Dalkey Archive, 2013), and the co-editor, with Jeffrey Robinson, of Active Romanticism (University of Alabama Press, 2015). A chapbook of prose, “The Silence that Fills the Future,” was recently released as a free pdf from Essay Press: http://www.essaypress.org/ep-19/
Objects from a Borrowed Confession (prose) will be out from Ahsahta press in 2016. Carr’s co-translation of Leslie Kaplan’s Excess-The Factory is due out from Commune Editions in 2018.
Carr was a 2011-12 NEA fellow and is an associate professor at the University of Colorado in Boulder in the English department and the Intermedia Arts Writing and Performance Ph.D. She regularly collaborates with dance artist K.J. Holmes and is the co-founder of Counterpath Press and Counterpath Gallery (www.counterpathpress.org).
The Epistolary Poem The Epistolary Poem























Michael Collier has published seven collections of poetry, including, most recently, My Bishop and Other Poems, as well as a translation of Euripides’s Medea and a volume of essays, Make Us Wave Back. The recipient of an Award in Literature from the American Academy of Arts and Letters and fellowships from the NEA and Guggenheim Foundation, he is a professor emeritus at the University of Maryland and is a former director of the Bread Loaf Writers’ Conferences.
TRANSLATION & REVISION: A GENERATIVE POETRY WORKSHOP - LIVE







CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017). A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award. CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems. They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad
They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists. They have taught the last two spring semesters at Columbia University in New York City. They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon. They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others. They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.
Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals


CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017). A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award. CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems. They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad
They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists. They have taught the last two spring semesters at Columbia University in New York City. They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon. They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others. They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.
Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals


CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017). A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award. CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems. They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad
They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists. They have taught the last two spring semesters at Columbia University in New York City. They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon. They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others. They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.
Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals


CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017). A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award. CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems. They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad
They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists. They have taught the last two spring semesters at Columbia University in New York City. They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon. They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others. They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.
Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals


CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017). A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award. CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems. They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad
They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists. They have taught the last two spring semesters at Columbia University in New York City. They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon. They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others. They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.
Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals


CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017). A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award. CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems. They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad
They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists. They have taught the last two spring semesters at Columbia University in New York City. They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon. They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others. They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.
Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals


CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017). A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award. CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems. They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad
They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists. They have taught the last two spring semesters at Columbia University in New York City. They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon. They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others. They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.
Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals


CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017). A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award. CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems. They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad
They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists. They have taught the last two spring semesters at Columbia University in New York City. They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon. They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others. They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.
Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals












CHRISTINA DAVIS is the author of An Ethic (Nightboat Books, 2013), Forth A Raven (Alice James Books, 2006) and the manuscript-in-progress Mankindness. Her poems and essays have appeared in American Poetry Review, Boston Review, Colorado Review, Paris Review, Poetry Magazine, and other journals. A graduate of Oxford University, she currently serves as curator of the Woodberry Poetry Room at Harvard University.
Ourselves, I Sing: Experiments in Selfhood & Humanhood


Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA
5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA
5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA
5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA
5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA
5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA
5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA
5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA
5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA
5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA
5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death

Duy Doan is the author of We Play a Game, winner of the 2017 Yale Series of Younger Poets Prize. His work has appeared in The Adroit Journal, Poetry, Slate, TriQuarterly, and elsewhere. He received an MFA in poetry from Boston University.
Spontaneity, or Disruption and the Illusion of Spontaneity

Andre Dubus III ‘s books include his most recent novel, Gone So Long, the New York Times’ bestsellers House of Sand and Fog, The Garden of Last Days, and his memoir, Townie. Mr. Dubus has been a finalist for the National Book Award. His honors include a Guggenheim Fellowship, two Pushcart Prizes, and an American Academy of Arts and Letters Award. His books are published in over twenty-five languages, and he teaches full-time at the University of Massachusetts Lowell.
Do Not Think, Dream: Fiction & Creative Nonfiction Workshop - Live

Lisa Duffy is the author of The Salt House, her debut novel forthcoming from Simon & Schuster/Touchstone Books in June 2017. She received her MFA in creative writing from the University of Massachusetts Boston. Her short fiction was nominated for a Pushcart Prize and her work can be found or is forthcoming in Writer’s Digest, The Drum Literary Magazine, So to Speak, Breakwater Review, Let the Bucket Down, and elsewhere. Lisa is the founding editor of ROAR, a literary magazine supporting women in the arts. She lives in the Boston area with her husband and three children.
Elements of Craft: A Fiction Workshop: SPRING Elements of Craft: A Fiction Workshop: WINTER Elements of Craft: A Fiction Workshop: SEPTEMBER Elements of Craft: A Fiction Workshop Elements of Craft: A Fiction Workshop


Lisa Duffy is the author of The Salt House, her debut novel forthcoming from Simon & Schuster/Touchstone Books in June 2017. She received her MFA in creative writing from the University of Massachusetts Boston. Her short fiction was nominated for a Pushcart Prize and her work can be found or is forthcoming in Writer’s Digest, The Drum Literary Magazine, So to Speak, Breakwater Review, Let the Bucket Down, and elsewhere. Lisa is the founding editor of ROAR, a literary magazine supporting women in the arts. She lives in the Boston area with her husband and three children.
Elements of Craft: A Fiction Workshop: SPRING Elements of Craft: A Fiction Workshop: WINTER Elements of Craft: A Fiction Workshop: SEPTEMBER Elements of Craft: A Fiction Workshop Elements of Craft: A Fiction Workshop


Lisa Duffy is the author of The Salt House, her debut novel forthcoming from Simon & Schuster/Touchstone Books in June 2017. She received her MFA in creative writing from the University of Massachusetts Boston. Her short fiction was nominated for a Pushcart Prize and her work can be found or is forthcoming in Writer’s Digest, The Drum Literary Magazine, So to Speak, Breakwater Review, Let the Bucket Down, and elsewhere. Lisa is the founding editor of ROAR, a literary magazine supporting women in the arts. She lives in the Boston area with her husband and three children.
Elements of Craft: A Fiction Workshop: SPRING Elements of Craft: A Fiction Workshop: WINTER Elements of Craft: A Fiction Workshop: SEPTEMBER Elements of Craft: A Fiction Workshop Elements of Craft: A Fiction Workshop


Lisa Duffy is the author of The Salt House, her debut novel forthcoming from Simon & Schuster/Touchstone Books in June 2017. She received her MFA in creative writing from the University of Massachusetts Boston. Her short fiction was nominated for a Pushcart Prize and her work can be found or is forthcoming in Writer’s Digest, The Drum Literary Magazine, So to Speak, Breakwater Review, Let the Bucket Down, and elsewhere. Lisa is the founding editor of ROAR, a literary magazine supporting women in the arts. She lives in the Boston area with her husband and three children.
Elements of Craft: A Fiction Workshop: SPRING Elements of Craft: A Fiction Workshop: WINTER Elements of Craft: A Fiction Workshop: SEPTEMBER Elements of Craft: A Fiction Workshop Elements of Craft: A Fiction Workshop


Lisa Duffy is the author of The Salt House, her debut novel forthcoming from Simon & Schuster/Touchstone Books in June 2017. She received her MFA in creative writing from the University of Massachusetts Boston. Her short fiction was nominated for a Pushcart Prize and her work can be found or is forthcoming in Writer’s Digest, The Drum Literary Magazine, So to Speak, Breakwater Review, Let the Bucket Down, and elsewhere. Lisa is the founding editor of ROAR, a literary magazine supporting women in the arts. She lives in the Boston area with her husband and three children.
Elements of Craft: A Fiction Workshop: SPRING Elements of Craft: A Fiction Workshop: WINTER Elements of Craft: A Fiction Workshop: SEPTEMBER Elements of Craft: A Fiction Workshop Elements of Craft: A Fiction Workshop















Nicole Terez Dutton's work has appeared in Callaloo, Ploughshares, 32 Poems, Indiana Review, and Salt Hill Journal. Nicole earned an MFA from Brown University and has received fellowships from the Frost Place, the Fine Arts Work Center, Bread Loaf Writers’ Conference, and the Virginia Center for the Creative Arts. Her collection of poems, If One Of Us Should Fall, was selected as the winner of the 2011 Cave Canem Poetry Prize. She teaches in the Solstice Low-Residency MFA Program and lives in Somerville, Massachusetts where she serves as the city’s inaugural poet laureate.
Threading and Building: Working Toward a Manuscript Threading and Building: Working Toward a Manuscript Threading and Building: Working Toward a Manuscript
Nicole Terez Dutton's work has appeared in Callaloo, Ploughshares, 32 Poems, Indiana Review, and Salt Hill Journal. Nicole earned an MFA from Brown University and has received fellowships from the Frost Place, the Fine Arts Work Center, Bread Loaf Writers’ Conference, and the Virginia Center for the Creative Arts. Her collection of poems, If One Of Us Should Fall, was selected as the winner of the 2011 Cave Canem Poetry Prize. She teaches in the Solstice Low-Residency MFA Program and lives in Somerville, Massachusetts where she serves as the city’s inaugural poet laureate.
Threading and Building: Working Toward a Manuscript Threading and Building: Working Toward a Manuscript Threading and Building: Working Toward a Manuscript
Nicole Terez Dutton's work has appeared in Callaloo, Ploughshares, 32 Poems, Indiana Review, and Salt Hill Journal. Nicole earned an MFA from Brown University and has received fellowships from the Frost Place, the Fine Arts Work Center, Bread Loaf Writers’ Conference, and the Virginia Center for the Creative Arts. Her collection of poems, If One Of Us Should Fall, was selected as the winner of the 2011 Cave Canem Poetry Prize. She teaches in the Solstice Low-Residency MFA Program and lives in Somerville, Massachusetts where she serves as the city’s inaugural poet laureate.
Threading and Building: Working Toward a Manuscript Threading and Building: Working Toward a Manuscript Threading and Building: Working Toward a Manuscript

Annie Finch is the author of six books of poetry, most recently Spells: New and Selected Poems (Wesleyan University Press, 2013). Her poems have appeared in journals including Yale Review, Kenyon Review, Harvard Review, Partisan Review, Prairie Schooner, Poetry, and Paris Review, and in anthologies such as The Norton Anthology of World Poetry, The Penguin Book of the Sonnet, and The Penguin Book of Twentieth-Century American Poetry. She has also published twelve books, textbooks, and edited or coedited anthologies focusing on poetic form and craft, including An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art and The Body of Poetry: Essays on Women, Form, and the Poetic Self (both from University of Michigan Press), Measure for Measure: An Anthology of Poetic Meters and Villanelles (both from Random House/Everyman’s Library), and A Poet’s Craft: A Comprehensive Guide to Making and Sharing Your Poetry (University of Michigan Press, 2012). Educated at Yale University (B.A.) and Stanford University (Ph.D.), Annie has taught widely and served for a decade as Director of the Stonecoast MFA Program in Creative Writing. Annie’s multimedia poetic collaborations and commissioned poems been produced at Carnegie Hall and the Metropolitan Museum of Art. Her work has been honored with the Sarasvati Award and the Robert Fitzgerald Award. More information on Annie’s work is available at anniefinch.com.
Working the Beat More; How to Make Poems Sing in Depth Working the Beat: How to Make Poems Sing Working the Beat: How to Make Poems Sing

Annie Finch is the author of six books of poetry, most recently Spells: New and Selected Poems (Wesleyan University Press, 2013). Her poems have appeared in journals including Yale Review, Kenyon Review, Harvard Review, Partisan Review, Prairie Schooner, Poetry, and Paris Review, and in anthologies such as The Norton Anthology of World Poetry, The Penguin Book of the Sonnet, and The Penguin Book of Twentieth-Century American Poetry. She has also published twelve books, textbooks, and edited or coedited anthologies focusing on poetic form and craft, including An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art and The Body of Poetry: Essays on Women, Form, and the Poetic Self (both from University of Michigan Press), Measure for Measure: An Anthology of Poetic Meters and Villanelles (both from Random House/Everyman’s Library), and A Poet’s Craft: A Comprehensive Guide to Making and Sharing Your Poetry (University of Michigan Press, 2012). Educated at Yale University (B.A.) and Stanford University (Ph.D.), Annie has taught widely and served for a decade as Director of the Stonecoast MFA Program in Creative Writing. Annie’s multimedia poetic collaborations and commissioned poems been produced at Carnegie Hall and the Metropolitan Museum of Art. Her work has been honored with the Sarasvati Award and the Robert Fitzgerald Award. More information on Annie’s work is available at anniefinch.com.
Working the Beat More; How to Make Poems Sing in Depth Working the Beat: How to Make Poems Sing Working the Beat: How to Make Poems Sing

Annie Finch is the author of six books of poetry, most recently Spells: New and Selected Poems (Wesleyan University Press, 2013). Her poems have appeared in journals including Yale Review, Kenyon Review, Harvard Review, Partisan Review, Prairie Schooner, Poetry, and Paris Review, and in anthologies such as The Norton Anthology of World Poetry, The Penguin Book of the Sonnet, and The Penguin Book of Twentieth-Century American Poetry. She has also published twelve books, textbooks, and edited or coedited anthologies focusing on poetic form and craft, including An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art and The Body of Poetry: Essays on Women, Form, and the Poetic Self (both from University of Michigan Press), Measure for Measure: An Anthology of Poetic Meters and Villanelles (both from Random House/Everyman’s Library), and A Poet’s Craft: A Comprehensive Guide to Making and Sharing Your Poetry (University of Michigan Press, 2012). Educated at Yale University (B.A.) and Stanford University (Ph.D.), Annie has taught widely and served for a decade as Director of the Stonecoast MFA Program in Creative Writing. Annie’s multimedia poetic collaborations and commissioned poems been produced at Carnegie Hall and the Metropolitan Museum of Art. Her work has been honored with the Sarasvati Award and the Robert Fitzgerald Award. More information on Annie’s work is available at anniefinch.com.
Working the Beat More; How to Make Poems Sing in Depth Working the Beat: How to Make Poems Sing Working the Beat: How to Make Poems Sing

Amber Flora Thomas is the author of Eye of Water: Poems which was selected by Harryette Mullen as the winner of the 2004 Cave Canem Poetry Prize. Her other books include, The Rabbits Could Sing: Poems (University of Alaska Press, 2012) and Red Channel in the Rupture: Poems (Red Hen Press, 2018). Her poetry has appeared in The New England Review, Tin House, Ecotone, Callaloo, Orion Magazine, Alaska Quarterly Review, Saranac Review, and Third Coast, as well as Angles of Ascent: A Norton Anthology of Contemporary African American Poetry, and numerous other journals and anthologies. Thomas has taught at the Cave Canem annual retreat and the Bread Loaf Environmental Writers Conference. She has received fellowships from Yaddo, Atlantic Center for the Arts, Bread Loaf Writers Conference, and Sewanee Writers Conference. She earned an MFA at Washington University in St. Louis, MO. She was born and raised in northern California. Currently she is an Associate Professor of Creative Writing at East Carolina University in Greenville, North Carolina.


Amber Flora Thomas is the author of Eye of Water: Poems which was selected by Harryette Mullen as the winner of the 2004 Cave Canem Poetry Prize. Her other books include, The Rabbits Could Sing: Poems (University of Alaska Press, 2012) and Red Channel in the Rupture: Poems (Red Hen Press, 2018). Her poetry has appeared in The New England Review, Tin House, Ecotone, Callaloo, Orion Magazine, Alaska Quarterly Review, Saranac Review, and Third Coast, as well as Angles of Ascent: A Norton Anthology of Contemporary African American Poetry, and numerous other journals and anthologies. Thomas has taught at the Cave Canem annual retreat and the Bread Loaf Environmental Writers Conference. She has received fellowships from Yaddo, Atlantic Center for the Arts, Bread Loaf Writers Conference, and Sewanee Writers Conference. She earned an MFA at Washington University in St. Louis, MO. She was born and raised in northern California. Currently she is an Associate Professor of Creative Writing at East Carolina University in Greenville, North Carolina.






Tessa Fontaine is the author of The Electric Woman: A Memoir in Death-Defying Acts, a New York Times Editor's choice, a Barnes & Noble Discover Great New Writers pick, an Amazon Editors' Top 100 of 2018 and Best Memoir/Biography of 2018, and more. Tessa’s writing won an AWP Intro Award, and has appeared in Glamour, The Believer, LitHub, Creative Nonfiction, and elsewhere. She has taught at various universities, for the New York Times summer journeys, and in prisons.
Writing Your Way to the Spark: A Generative Memoir Workshop

Carolyn Forché is a poet, translator and editor of the ground-breaking anthology Against Forgetting: Twentieth-Century Poetry of Witness, collecting the work of poets who endured conditions of extremity during the past century. She has published four award-winning books of poetry and three books of poetry in translation. Her work has been translated into over twenty languages and she has given poetry readings throughout the United States and the world. A human rights activist for over thirty years, she was presented in 1998 with the Edita and Ira Morris Hiroshima Foundation Award for Peace and Culture in Stockholm for her work on behalf of human rights and the preservation of memory and culture. She has received fellowships from The John Simon Guggenheim Foundation, The Lannan Foundation and The National Endowment for the Arts. She has taught poetry and literature for thirty-five years, and holds The Lannan Chair of Poetry at Georgetown University, where she also directs The Lannan Center for Poetics and Social Practice.
Writing New Poems: Winter Writing New Poems: Spring Writing New Poems: Winter Writing New Poems: Fall Writing New Poems: Fall

Carolyn Forché is a poet, translator and editor of the ground-breaking anthology Against Forgetting: Twentieth-Century Poetry of Witness, collecting the work of poets who endured conditions of extremity during the past century. She has published four award-winning books of poetry and three books of poetry in translation. Her work has been translated into over twenty languages and she has given poetry readings throughout the United States and the world. A human rights activist for over thirty years, she was presented in 1998 with the Edita and Ira Morris Hiroshima Foundation Award for Peace and Culture in Stockholm for her work on behalf of human rights and the preservation of memory and culture. She has received fellowships from The John Simon Guggenheim Foundation, The Lannan Foundation and The National Endowment for the Arts. She has taught poetry and literature for thirty-five years, and holds The Lannan Chair of Poetry at Georgetown University, where she also directs The Lannan Center for Poetics and Social Practice.
Writing New Poems: Winter Writing New Poems: Spring Writing New Poems: Winter Writing New Poems: Fall Writing New Poems: Fall

Carolyn Forché is a poet, translator and editor of the ground-breaking anthology Against Forgetting: Twentieth-Century Poetry of Witness, collecting the work of poets who endured conditions of extremity during the past century. She has published four award-winning books of poetry and three books of poetry in translation. Her work has been translated into over twenty languages and she has given poetry readings throughout the United States and the world. A human rights activist for over thirty years, she was presented in 1998 with the Edita and Ira Morris Hiroshima Foundation Award for Peace and Culture in Stockholm for her work on behalf of human rights and the preservation of memory and culture. She has received fellowships from The John Simon Guggenheim Foundation, The Lannan Foundation and The National Endowment for the Arts. She has taught poetry and literature for thirty-five years, and holds The Lannan Chair of Poetry at Georgetown University, where she also directs The Lannan Center for Poetics and Social Practice.
Writing New Poems: Winter Writing New Poems: Spring Writing New Poems: Winter Writing New Poems: Fall Writing New Poems: Fall

Carolyn Forché is a poet, translator and editor of the ground-breaking anthology Against Forgetting: Twentieth-Century Poetry of Witness, collecting the work of poets who endured conditions of extremity during the past century. She has published four award-winning books of poetry and three books of poetry in translation. Her work has been translated into over twenty languages and she has given poetry readings throughout the United States and the world. A human rights activist for over thirty years, she was presented in 1998 with the Edita and Ira Morris Hiroshima Foundation Award for Peace and Culture in Stockholm for her work on behalf of human rights and the preservation of memory and culture. She has received fellowships from The John Simon Guggenheim Foundation, The Lannan Foundation and The National Endowment for the Arts. She has taught poetry and literature for thirty-five years, and holds The Lannan Chair of Poetry at Georgetown University, where she also directs The Lannan Center for Poetics and Social Practice.
Writing New Poems: Winter Writing New Poems: Spring Writing New Poems: Winter Writing New Poems: Fall Writing New Poems: Fall

Carolyn Forché is a poet, translator and editor of the ground-breaking anthology Against Forgetting: Twentieth-Century Poetry of Witness, collecting the work of poets who endured conditions of extremity during the past century. She has published four award-winning books of poetry and three books of poetry in translation. Her work has been translated into over twenty languages and she has given poetry readings throughout the United States and the world. A human rights activist for over thirty years, she was presented in 1998 with the Edita and Ira Morris Hiroshima Foundation Award for Peace and Culture in Stockholm for her work on behalf of human rights and the preservation of memory and culture. She has received fellowships from The John Simon Guggenheim Foundation, The Lannan Foundation and The National Endowment for the Arts. She has taught poetry and literature for thirty-five years, and holds The Lannan Chair of Poetry at Georgetown University, where she also directs The Lannan Center for Poetics and Social Practice.
Writing New Poems: Winter Writing New Poems: Spring Writing New Poems: Winter Writing New Poems: Fall Writing New Poems: Fall
















Aja Gabel’s debut novel, The Ensemble, is out now from Riverhead Books. Her short fiction can be found in the Kenyon Review, Glimmer Train, BOMB, and elsewhere. She studied writing at Wesleyan University and the University of Virginia, and has a PhD in Literature and Creative Writing from the University of Houston. She currently lives and writes in Los Angeles.
Writing Love Stories


Indira Ganesan has written three novels, The Journey (1990), Inheritance (1998), and As Sweet as Honey (2013). She is a former fellow of the Radcliffe Bunting Institute, The MacDowell Colony, and the Fine Arts Work Center. In Provincetown, she hosts a global music show on Sunday mornings at WOMR-FM, reviews books for Phi Beta Kappa’s thekeyreporter.org, and is working on a new book. She has taught at the University of Missouri, UC San Diego, UC Santa Cruz, Southampton College, Naropa University, CU Boulder, and Emerson College.
Narrative Magic: A Fiction Workshop









Nicole J. Georges is a writer, illustrator, podcaster, and professor. Her Lambda Award-winning graphic memoir, Calling Dr. Laura, was called engrossing, lovable, smart and ultimately poignant by Rachel Maddow. Nicole's 2nd graphic memoir, Fetch, How a Bad Dog Brought Me Home, is currently being developed for television. Nicole does a weekly queer feminist art podcast called Sagittarian Matters and teaches at California College of the Arts MFA in Comics Program.
Drawing a Line: Graphic Memoir - LIVE





Journalist, memoirist, essayist, critic, poet, and teacher Ethan Gilsdorf is the author of the award-winning travel memoir investigation Fantasy Freaks and Gaming Geeks: An Epic Quest for Reality Among Role Players, Online Gamers, and Other Dwellers of Imaginary Realms. His work has been cited in the anthology Best American Essays 2016. His personal essays, fiction, poetry, reviews and other nonfiction have appeared in The New York Times, Salon, Boston Globe Magazine, Boston Magazine, Boston Globe, WBUR, Psychology Today, Poetry, The Southern Review,The Quarterly, Exquisite Corpse, The North American Review, and in several anthologies. He received his BA from Hampshire College, and an MFA in Creative Writing from Louisiana State University. He is also the winner of the Hobblestock Peace Poetry Competition and the Esme Bradberry Contemporary Poets Prize. Gilsdorf is co-founder of Grub Street's Young Adult Writers Program (YAWP), and teaches creative writing at Grub Street, where he serves on the Board of Directors. Follow Ethan’s adventures at www.ethangilsdorf.com or Twitter @ethanfreak.
Writing and Selling Personal Essays about Deeply Personal Subjects Absent Fathers, Controlling Mothers, Treacherous Exes and Other Interpersonal Dysfunction: Writing the Publishable Relationship Essay

Journalist, memoirist, essayist, critic, poet, and teacher Ethan Gilsdorf is the author of the award-winning travel memoir investigation Fantasy Freaks and Gaming Geeks: An Epic Quest for Reality Among Role Players, Online Gamers, and Other Dwellers of Imaginary Realms. His work has been cited in the anthology Best American Essays 2016. His personal essays, fiction, poetry, reviews and other nonfiction have appeared in The New York Times, Salon, Boston Globe Magazine, Boston Magazine, Boston Globe, WBUR, Psychology Today, Poetry, The Southern Review,The Quarterly, Exquisite Corpse, The North American Review, and in several anthologies. He received his BA from Hampshire College, and an MFA in Creative Writing from Louisiana State University. He is also the winner of the Hobblestock Peace Poetry Competition and the Esme Bradberry Contemporary Poets Prize. Gilsdorf is co-founder of Grub Street's Young Adult Writers Program (YAWP), and teaches creative writing at Grub Street, where he serves on the Board of Directors. Follow Ethan’s adventures at www.ethangilsdorf.com or Twitter @ethanfreak.
Writing and Selling Personal Essays about Deeply Personal Subjects Absent Fathers, Controlling Mothers, Treacherous Exes and Other Interpersonal Dysfunction: Writing the Publishable Relationship Essay

D. Gilson is the author of I Will Say This Exactly One Time: Essays (Sibling Rivalry, 2015); Crush with Will Stockton (Punctum Books, 2014); Brit Lit (Sibling Rivalry, 2013); and Catch & Release (2012), winner of the Robin Becker Prize. He is an Assistant Professor of English at Texas Tech University, and his work has appeared in POETRY, Threepenny Review, The Rumpus, and twice as a notable essay in Best American Essays.
Cut to the Quick: Flash Nonfiction Life Drawing: Public Persona Poetry

D. Gilson is the author of I Will Say This Exactly One Time: Essays (Sibling Rivalry, 2015); Crush with Will Stockton (Punctum Books, 2014); Brit Lit (Sibling Rivalry, 2013); and Catch & Release (2012), winner of the Robin Becker Prize. He is an Assistant Professor of English at Texas Tech University, and his work has appeared in POETRY, Threepenny Review, The Rumpus, and twice as a notable essay in Best American Essays.
Cut to the Quick: Flash Nonfiction Life Drawing: Public Persona Poetry











Paul Guest is the author of four collections of poetry, most recently Because Everything Is Terrible, and a memoir, One More Theory About Happiness. His writing has appeared in American Poetry Review, Poetry, The Paris Review, Tin House, Slate, New England Review, The Southern Review, The Kenyon Review, Ploughshares, and numerous other publications. A Guggenheim Fellow and Whiting Award winner, he lives in Charlottesville, Virginia.




Marcie Hershman is the author of the novels Tales of the Master Race and Safe in America, and the memoir, Speak to Me: Grief, Love & What Endures. Her essays have appeared in The New York Times Magazine, Boston Globe, Washington Post, Poets & Writers, Ms., Tikkun, Women’s Review of Books, Ploughshares, Agni, & on NPR. Anthologies include: The Norton Anthology of Women’s Literature, Creative Nonfiction, Amazon Poetry, American Fiction. Among her awards are those from the Bunting Institute, Harvard University; the L.L. Winship/Boston Globe Foundation; Massachusetts Cultural Council; Corporation of Yaddo; the MacDowell Colony. She has held the Hurst chair in fiction at Brandeis and taught for many years at Tufts University. She currently leads a private writing group in Boston.
WRITING IN INTERESTING TIMES - LIVE













































































Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.
WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.
WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.
WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.
WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.
WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.
WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.
WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.
WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.
WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.
WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.
WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.
WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.
WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.
WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.
WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice

Maria Hummel is the author of three novels—Still Lives, Motherland and Wilderness Run—and the poetry collection House and Fire, winner of the 2013 APR/Honickman First Book Prize. She is a former Wallace Stegner Fellow, Bread Loaf Fellow, and the winner of a Pushcart Prize. Her poetry, fiction, and nonfiction have appeared numerous magazines, including Poetry, New England Review, Narrative, The Sun, and The Believer. She has taught at Stanford University and Colorado College, and is currently at the University of Vermont.
Novel Writing: Answering the Top Ten Questions Beginning Your Mystery Novel


Maria Hummel is the author of three novels—Still Lives, Motherland and Wilderness Run—and the poetry collection House and Fire, winner of the 2013 APR/Honickman First Book Prize. She is a former Wallace Stegner Fellow, Bread Loaf Fellow, and the winner of a Pushcart Prize. Her poetry, fiction, and nonfiction have appeared numerous magazines, including Poetry, New England Review, Narrative, The Sun, and The Believer. She has taught at Stanford University and Colorado College, and is currently at the University of Vermont.
Novel Writing: Answering the Top Ten Questions Beginning Your Mystery Novel








































Troy Jollimore’s most recent collection of poetry, Syllabus of Errors, was chosen by the New York Times as one of the ten best poetry books of 2015. His other poetry collections are Tom Thomson in Purgatory, which won the 2006 National Book Critics Circle Award for poetry, and At Lake Scugog. His poems have appeared in publications including the New Yorker, Poetry, The Believer, McSweeney’s, and Subtropics. His most recent books of philosophy are Love’s Vision (Princeton, 2011) and On Loyalty (Routledge, 2012). He has been an External Faculty Fellow at the Stanford Humanities Center, the Stanley P. Young Poetry Fellow at the Bread Loaf Writers’ Conference, and a Guggenheim fellow.





Jacqueline Jones LaMon is the author of two award-winning collections of poetry, most recently, Last Seen (University of Wisconsin Press), and a novel, In the Arms of One Who Loves Me (Ballantine Books). An Associate Professor at Adelphi University, where she teaches in the MFA program, she has received fellowships from Yaddo Foundation, the Fine Arts Work Center in Provincetown and the Virginia Center for the Creative Arts, among others. She serves as the President of Cave Canem Foundation, Inc., and lives in Brooklyn, New York.
Exploring the Abecedarian Poetics: More Than Just ABC's Exploring the Abecedarian Poetics: More Than Just ABC's: Spring Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Winter Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Fall Exploring the Abecedarian Poetic Sequence: More Than Just ABC’s
Jacqueline Jones LaMon is the author of two award-winning collections of poetry, most recently, Last Seen (University of Wisconsin Press), and a novel, In the Arms of One Who Loves Me (Ballantine Books). An Associate Professor at Adelphi University, where she teaches in the MFA program, she has received fellowships from Yaddo Foundation, the Fine Arts Work Center in Provincetown and the Virginia Center for the Creative Arts, among others. She serves as the President of Cave Canem Foundation, Inc., and lives in Brooklyn, New York.
Exploring the Abecedarian Poetics: More Than Just ABC's Exploring the Abecedarian Poetics: More Than Just ABC's: Spring Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Winter Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Fall Exploring the Abecedarian Poetic Sequence: More Than Just ABC’s
Jacqueline Jones LaMon is the author of two award-winning collections of poetry, most recently, Last Seen (University of Wisconsin Press), and a novel, In the Arms of One Who Loves Me (Ballantine Books). An Associate Professor at Adelphi University, where she teaches in the MFA program, she has received fellowships from Yaddo Foundation, the Fine Arts Work Center in Provincetown and the Virginia Center for the Creative Arts, among others. She serves as the President of Cave Canem Foundation, Inc., and lives in Brooklyn, New York.
Exploring the Abecedarian Poetics: More Than Just ABC's Exploring the Abecedarian Poetics: More Than Just ABC's: Spring Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Winter Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Fall Exploring the Abecedarian Poetic Sequence: More Than Just ABC’s
Jacqueline Jones LaMon is the author of two award-winning collections of poetry, most recently, Last Seen (University of Wisconsin Press), and a novel, In the Arms of One Who Loves Me (Ballantine Books). An Associate Professor at Adelphi University, where she teaches in the MFA program, she has received fellowships from Yaddo Foundation, the Fine Arts Work Center in Provincetown and the Virginia Center for the Creative Arts, among others. She serves as the President of Cave Canem Foundation, Inc., and lives in Brooklyn, New York.
Exploring the Abecedarian Poetics: More Than Just ABC's Exploring the Abecedarian Poetics: More Than Just ABC's: Spring Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Winter Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Fall Exploring the Abecedarian Poetic Sequence: More Than Just ABC’s
Jacqueline Jones LaMon is the author of two award-winning collections of poetry, most recently, Last Seen (University of Wisconsin Press), and a novel, In the Arms of One Who Loves Me (Ballantine Books). An Associate Professor at Adelphi University, where she teaches in the MFA program, she has received fellowships from Yaddo Foundation, the Fine Arts Work Center in Provincetown and the Virginia Center for the Creative Arts, among others. She serves as the President of Cave Canem Foundation, Inc., and lives in Brooklyn, New York.
Exploring the Abecedarian Poetics: More Than Just ABC's Exploring the Abecedarian Poetics: More Than Just ABC's: Spring Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Winter Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Fall Exploring the Abecedarian Poetic Sequence: More Than Just ABC’s



Porochista Khakpour is the author of the forthcoming memoir Sick (Harper Perennial), and the novels The Last Illusion (Bloomsbury, 2014)—a 2014 "Best Book of the Year" according to NPR, Kirkus, Buzzfeed, Popmatters, Electric Literature, and more — and Sons and Other Flammable Objects (Grove, 2007)—the 2007 California Book Award winner in “First Fiction,” one of the Chicago Tribune’s “Fall’s Best,” and a New York Times “Editor’s Choice.” Her writing has appearedin or is forthcoming in Harper’s, The New York Times, The Los Angeles Times, The Wall Street Journal, Al Jazeera America, Bookforum, Slate, Salon, Spin, The Daily Beast, Elle, and many other publications around the world. She’s had fellowships from the National Endowment for the Arts, the University of Leipzig (Picador Guest Professorship), the Corporation of Yaddo, the Ucross Foundation, and Northwestern University’s Academy for Alternative Journalism, among others. Born in Tehran and raised in Los Angeles, she lives in New York City’s Harlem. She is currently writer-in-residence at Bard College.
Experimental Writing for the Non-Experimental Writers

Michael Klein is a five-time Lambda Literary Award finalist and two-time winner in poetry. He has also written two autobiographical works, both published by University of Wisconsin Press:Track Conditions, regarding his life on the racetrack with Kentucky Derby winner, Swale, andThe End of Being Known, a book of linked essays on sex and friendship. His latest book of prose and poetry is When I Was a Twin and is currently working on a book with the working title: Radical Loneliness and the Imaginary Life. He lives in New York and teaches at Hunter College.
Writing Social Justice in Poetry and Essays The Bright Light of Possibility: Four Essays The Intention of the Risk: An Autobiographical Essay Workshop "If It's True...": A Memoir Workshop If It’s True. . . : A Memoir Workshop: SPRING “If It’s True. . . ": A Memoir Workshop: WINTER
Michael Klein is a five-time Lambda Literary Award finalist and two-time winner in poetry. He has also written two autobiographical works, both published by University of Wisconsin Press:Track Conditions, regarding his life on the racetrack with Kentucky Derby winner, Swale, andThe End of Being Known, a book of linked essays on sex and friendship. His latest book of prose and poetry is When I Was a Twin and is currently working on a book with the working title: Radical Loneliness and the Imaginary Life. He lives in New York and teaches at Hunter College.
Writing Social Justice in Poetry and Essays The Bright Light of Possibility: Four Essays The Intention of the Risk: An Autobiographical Essay Workshop "If It's True...": A Memoir Workshop If It’s True. . . : A Memoir Workshop: SPRING “If It’s True. . . ": A Memoir Workshop: WINTER
Michael Klein is a five-time Lambda Literary Award finalist and two-time winner in poetry. He has also written two autobiographical works, both published by University of Wisconsin Press:Track Conditions, regarding his life on the racetrack with Kentucky Derby winner, Swale, andThe End of Being Known, a book of linked essays on sex and friendship. His latest book of prose and poetry is When I Was a Twin and is currently working on a book with the working title: Radical Loneliness and the Imaginary Life. He lives in New York and teaches at Hunter College.
Writing Social Justice in Poetry and Essays The Bright Light of Possibility: Four Essays The Intention of the Risk: An Autobiographical Essay Workshop "If It's True...": A Memoir Workshop If It’s True. . . : A Memoir Workshop: SPRING “If It’s True. . . ": A Memoir Workshop: WINTER
Michael Klein is a five-time Lambda Literary Award finalist and two-time winner in poetry. He has also written two autobiographical works, both published by University of Wisconsin Press:Track Conditions, regarding his life on the racetrack with Kentucky Derby winner, Swale, andThe End of Being Known, a book of linked essays on sex and friendship. His latest book of prose and poetry is When I Was a Twin and is currently working on a book with the working title: Radical Loneliness and the Imaginary Life. He lives in New York and teaches at Hunter College.
Writing Social Justice in Poetry and Essays The Bright Light of Possibility: Four Essays The Intention of the Risk: An Autobiographical Essay Workshop "If It's True...": A Memoir Workshop If It’s True. . . : A Memoir Workshop: SPRING “If It’s True. . . ": A Memoir Workshop: WINTER
Michael Klein is a five-time Lambda Literary Award finalist and two-time winner in poetry. He has also written two autobiographical works, both published by University of Wisconsin Press:Track Conditions, regarding his life on the racetrack with Kentucky Derby winner, Swale, andThe End of Being Known, a book of linked essays on sex and friendship. His latest book of prose and poetry is When I Was a Twin and is currently working on a book with the working title: Radical Loneliness and the Imaginary Life. He lives in New York and teaches at Hunter College.
Writing Social Justice in Poetry and Essays The Bright Light of Possibility: Four Essays The Intention of the Risk: An Autobiographical Essay Workshop "If It's True...": A Memoir Workshop If It’s True. . . : A Memoir Workshop: SPRING “If It’s True. . . ": A Memoir Workshop: WINTER
Michael Klein is a five-time Lambda Literary Award finalist and two-time winner in poetry. He has also written two autobiographical works, both published by University of Wisconsin Press:Track Conditions, regarding his life on the racetrack with Kentucky Derby winner, Swale, andThe End of Being Known, a book of linked essays on sex and friendship. His latest book of prose and poetry is When I Was a Twin and is currently working on a book with the working title: Radical Loneliness and the Imaginary Life. He lives in New York and teaches at Hunter College.
Writing Social Justice in Poetry and Essays The Bright Light of Possibility: Four Essays The Intention of the Risk: An Autobiographical Essay Workshop "If It's True...": A Memoir Workshop If It’s True. . . : A Memoir Workshop: SPRING “If It’s True. . . ": A Memoir Workshop: WINTER
Jacqueline Kolosov has written 4 novels for teens including The Red Queen’s Daughter (Hyperion) and more recently Paris, Modigliani & Me (Luminis Books), as well as a middle grade novel, Grace from China (Yeong & Yeong). Jacqueline is also an essayist, poet and writer of literary fiction. She was awarded an NEA Literature Fellowship in prose in 2008 and has new work in The Sewanee Review, The Southern Review, and Prairie Schooner. She has co-edited three anthologies of contemporary writing, most recently Family Resemblance: An Anthology and Investigation of 8 Hybrid Literary Genres (Rose Metal). Originally from Chicago, Jacqueline now serves on the creative writing and literature faculty at Texas Tech and lives with her family, including a menagerie of animals, from a Spanish mare to 2 dwarf angora rabbits, in West Texas. Her web/blog is www.jacquelinekolosovreads.com.
Writing in an Age of Terror Experimenting with Hybrid Literary Genres Voice-Driven and Urgent: Contemporary Young Adult Fiction Voice-Driven and Urgent: Contemporary Young Adult Fiction
Jacqueline Kolosov has written 4 novels for teens including The Red Queen’s Daughter (Hyperion) and more recently Paris, Modigliani & Me (Luminis Books), as well as a middle grade novel, Grace from China (Yeong & Yeong). Jacqueline is also an essayist, poet and writer of literary fiction. She was awarded an NEA Literature Fellowship in prose in 2008 and has new work in The Sewanee Review, The Southern Review, and Prairie Schooner. She has co-edited three anthologies of contemporary writing, most recently Family Resemblance: An Anthology and Investigation of 8 Hybrid Literary Genres (Rose Metal). Originally from Chicago, Jacqueline now serves on the creative writing and literature faculty at Texas Tech and lives with her family, including a menagerie of animals, from a Spanish mare to 2 dwarf angora rabbits, in West Texas. Her web/blog is www.jacquelinekolosovreads.com.
Writing in an Age of Terror Experimenting with Hybrid Literary Genres Voice-Driven and Urgent: Contemporary Young Adult Fiction Voice-Driven and Urgent: Contemporary Young Adult Fiction
Jacqueline Kolosov has written 4 novels for teens including The Red Queen’s Daughter (Hyperion) and more recently Paris, Modigliani & Me (Luminis Books), as well as a middle grade novel, Grace from China (Yeong & Yeong). Jacqueline is also an essayist, poet and writer of literary fiction. She was awarded an NEA Literature Fellowship in prose in 2008 and has new work in The Sewanee Review, The Southern Review, and Prairie Schooner. She has co-edited three anthologies of contemporary writing, most recently Family Resemblance: An Anthology and Investigation of 8 Hybrid Literary Genres (Rose Metal). Originally from Chicago, Jacqueline now serves on the creative writing and literature faculty at Texas Tech and lives with her family, including a menagerie of animals, from a Spanish mare to 2 dwarf angora rabbits, in West Texas. Her web/blog is www.jacquelinekolosovreads.com.
Writing in an Age of Terror Experimenting with Hybrid Literary Genres Voice-Driven and Urgent: Contemporary Young Adult Fiction Voice-Driven and Urgent: Contemporary Young Adult Fiction
Jacqueline Kolosov has written 4 novels for teens including The Red Queen’s Daughter (Hyperion) and more recently Paris, Modigliani & Me (Luminis Books), as well as a middle grade novel, Grace from China (Yeong & Yeong). Jacqueline is also an essayist, poet and writer of literary fiction. She was awarded an NEA Literature Fellowship in prose in 2008 and has new work in The Sewanee Review, The Southern Review, and Prairie Schooner. She has co-edited three anthologies of contemporary writing, most recently Family Resemblance: An Anthology and Investigation of 8 Hybrid Literary Genres (Rose Metal). Originally from Chicago, Jacqueline now serves on the creative writing and literature faculty at Texas Tech and lives with her family, including a menagerie of animals, from a Spanish mare to 2 dwarf angora rabbits, in West Texas. Her web/blog is www.jacquelinekolosovreads.com.
Writing in an Age of Terror Experimenting with Hybrid Literary Genres Voice-Driven and Urgent: Contemporary Young Adult Fiction Voice-Driven and Urgent: Contemporary Young Adult Fiction









Yi Shun Lai is the author of Not a Self-Help Book: The Misadventures of Marty Wu and Pin Ups. She is a diversity, equity, and inclusion educator and teaches in the MFA program at Bay Path University. Her column "From the Front Lines" appears every month in The Writer magazine.
Mirror Works, Window Works: Inclusivity in Writing and Reading





















Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.
THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.
THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.
THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.
THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.
THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.
THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.
THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.
THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.
THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.
THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.
THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.
THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.
THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall

Rebecca Lindenberg is the author of Love, An Index (McSweeney’s 2012) and The Logan Notebooks (Center for Literary Publishing 2014), which won the 2015 Utah Book Award. She’s the recipient of an Amy Lowell Traveling Poetry Fellowship, a National Endowment for the Arts Literature Grant, a fellowship from the Fine Arts Work Center in Provincetown, and residencies at the MacDowell Arts Colony and the Sewanee Writers Conference. Her work appears in Poetry, The Believer, Diagram, Smartish Pace, Conjunctions, and elsewhere. She is a member of the Poetry Faculty at the University of Cincinnati, and the Queens University of Charlotte Low-Residency MFA Program. She lives in Cincinnati with her big kid and her little cat.
WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Summer WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS for Winter WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Fall What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation: September What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation What I Should Have Said: Writing Funny Poems

Rebecca Lindenberg is the author of Love, An Index (McSweeney’s 2012) and The Logan Notebooks (Center for Literary Publishing 2014), which won the 2015 Utah Book Award. She’s the recipient of an Amy Lowell Traveling Poetry Fellowship, a National Endowment for the Arts Literature Grant, a fellowship from the Fine Arts Work Center in Provincetown, and residencies at the MacDowell Arts Colony and the Sewanee Writers Conference. Her work appears in Poetry, The Believer, Diagram, Smartish Pace, Conjunctions, and elsewhere. She is a member of the Poetry Faculty at the University of Cincinnati, and the Queens University of Charlotte Low-Residency MFA Program. She lives in Cincinnati with her big kid and her little cat.
WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Summer WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS for Winter WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Fall What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation: September What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation What I Should Have Said: Writing Funny Poems

Rebecca Lindenberg is the author of Love, An Index (McSweeney’s 2012) and The Logan Notebooks (Center for Literary Publishing 2014), which won the 2015 Utah Book Award. She’s the recipient of an Amy Lowell Traveling Poetry Fellowship, a National Endowment for the Arts Literature Grant, a fellowship from the Fine Arts Work Center in Provincetown, and residencies at the MacDowell Arts Colony and the Sewanee Writers Conference. Her work appears in Poetry, The Believer, Diagram, Smartish Pace, Conjunctions, and elsewhere. She is a member of the Poetry Faculty at the University of Cincinnati, and the Queens University of Charlotte Low-Residency MFA Program. She lives in Cincinnati with her big kid and her little cat.
WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Summer WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS for Winter WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Fall What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation: September What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation What I Should Have Said: Writing Funny Poems

Rebecca Lindenberg is the author of Love, An Index (McSweeney’s 2012) and The Logan Notebooks (Center for Literary Publishing 2014), which won the 2015 Utah Book Award. She’s the recipient of an Amy Lowell Traveling Poetry Fellowship, a National Endowment for the Arts Literature Grant, a fellowship from the Fine Arts Work Center in Provincetown, and residencies at the MacDowell Arts Colony and the Sewanee Writers Conference. Her work appears in Poetry, The Believer, Diagram, Smartish Pace, Conjunctions, and elsewhere. She is a member of the Poetry Faculty at the University of Cincinnati, and the Queens University of Charlotte Low-Residency MFA Program. She lives in Cincinnati with her big kid and her little cat.
WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Summer WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS for Winter WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Fall What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation: September What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation What I Should Have Said: Writing Funny Poems

Rebecca Lindenberg is the author of Love, An Index (McSweeney’s 2012) and The Logan Notebooks (Center for Literary Publishing 2014), which won the 2015 Utah Book Award. She’s the recipient of an Amy Lowell Traveling Poetry Fellowship, a National Endowment for the Arts Literature Grant, a fellowship from the Fine Arts Work Center in Provincetown, and residencies at the MacDowell Arts Colony and the Sewanee Writers Conference. Her work appears in Poetry, The Believer, Diagram, Smartish Pace, Conjunctions, and elsewhere. She is a member of the Poetry Faculty at the University of Cincinnati, and the Queens University of Charlotte Low-Residency MFA Program. She lives in Cincinnati with her big kid and her little cat.
WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Summer WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS for Winter WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Fall What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation: September What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation What I Should Have Said: Writing Funny Poems

Rebecca Lindenberg is the author of Love, An Index (McSweeney’s 2012) and The Logan Notebooks (Center for Literary Publishing 2014), which won the 2015 Utah Book Award. She’s the recipient of an Amy Lowell Traveling Poetry Fellowship, a National Endowment for the Arts Literature Grant, a fellowship from the Fine Arts Work Center in Provincetown, and residencies at the MacDowell Arts Colony and the Sewanee Writers Conference. Her work appears in Poetry, The Believer, Diagram, Smartish Pace, Conjunctions, and elsewhere. She is a member of the Poetry Faculty at the University of Cincinnati, and the Queens University of Charlotte Low-Residency MFA Program. She lives in Cincinnati with her big kid and her little cat.
WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Summer WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS for Winter WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Fall What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation: September What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation What I Should Have Said: Writing Funny Poems

Rebecca Lindenberg is the author of Love, An Index (McSweeney’s 2012) and The Logan Notebooks (Center for Literary Publishing 2014), which won the 2015 Utah Book Award. She’s the recipient of an Amy Lowell Traveling Poetry Fellowship, a National Endowment for the Arts Literature Grant, a fellowship from the Fine Arts Work Center in Provincetown, and residencies at the MacDowell Arts Colony and the Sewanee Writers Conference. Her work appears in Poetry, The Believer, Diagram, Smartish Pace, Conjunctions, and elsewhere. She is a member of the Poetry Faculty at the University of Cincinnati, and the Queens University of Charlotte Low-Residency MFA Program. She lives in Cincinnati with her big kid and her little cat.
WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Summer WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS for Winter WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Fall What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation: September What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation What I Should Have Said: Writing Funny Poems

Rebecca Lindenberg is the author of Love, An Index (McSweeney’s 2012) and The Logan Notebooks (Center for Literary Publishing 2014), which won the 2015 Utah Book Award. She’s the recipient of an Amy Lowell Traveling Poetry Fellowship, a National Endowment for the Arts Literature Grant, a fellowship from the Fine Arts Work Center in Provincetown, and residencies at the MacDowell Arts Colony and the Sewanee Writers Conference. Her work appears in Poetry, The Believer, Diagram, Smartish Pace, Conjunctions, and elsewhere. She is a member of the Poetry Faculty at the University of Cincinnati, and the Queens University of Charlotte Low-Residency MFA Program. She lives in Cincinnati with her big kid and her little cat.
WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Summer WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS for Winter WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Fall What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation: September What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation What I Should Have Said: Writing Funny Poems

Rebecca Lindenberg is the author of Love, An Index (McSweeney’s 2012) and The Logan Notebooks (Center for Literary Publishing 2014), which won the 2015 Utah Book Award. She’s the recipient of an Amy Lowell Traveling Poetry Fellowship, a National Endowment for the Arts Literature Grant, a fellowship from the Fine Arts Work Center in Provincetown, and residencies at the MacDowell Arts Colony and the Sewanee Writers Conference. Her work appears in Poetry, The Believer, Diagram, Smartish Pace, Conjunctions, and elsewhere. She is a member of the Poetry Faculty at the University of Cincinnati, and the Queens University of Charlotte Low-Residency MFA Program. She lives in Cincinnati with her big kid and her little cat.
WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Summer WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS for Winter WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Fall What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation: September What I Should Have Said: Writing Funny Poems Writ